The Ricoh Theta S is only capable of capturing 360 video at 1080p, while the GoPro rig can shoot resolutions even higher than 4k. You might be thinking to yourself, “Why is Chris still bothering with that space-age GoPro rig thingy?.”
#Gopro video player software
And get this: The stitching is all automated with their included easy-to-use software or mobile app. That’s five less lenses than our previous setup. This new camera shoots spherical video with two 180 lenses. Now that we’ve gone through all of that… I’d like to introduce you to my little friend: the Ricoh Theta S. Bonus: You can right click the player and select 4K, if you want to watch in the highest quality possible.īenefits and limitations of the Ricoh Theta S
#Gopro video player mp4
Voila! Upload your equirectangular mp4 file to Wistia.Bring all of your stitched shots into Premiere to edit them as you would with any other video - trim, reorder, add music, and export using the same settings as you did in Autopano.Follow steps 1–8 for all of your shots and any time you moved the rig position.Save your project in Giga, then export your stitched video from Autopano Video at the maximum resolution that h.264 can handle - 4096 x 2048.Double click the stitch to open up Autopano Giga for some fine-tuning.Allow this magical software to automatically analyze each camera angle and stitch together an equirectangular projection (try dropping that term at your next dinner party).Drag all of the perfectly synced files into Autopano Video.Export each camera’s angle individually.Play all the sequences together to make sure everything sounds in sync.I listen for my clap, use that as the in point, and drag it right into a new sequence. I rely on the audio from the cameras to make sure everything is perfectly lined up. Import the folders of footage into Adobe Premiere, and get the clips perfectly in sync.Take each SD card out of its camera and transfer the footage into folders labeled according to camera numbers.Here comes the beast - turning all of your footage into a 360 spherical stitch. Make sure your main points of action are directly in front of a lens (not between two cameras).Position the GoPro rig so that the majority of the cameras are flush with the horizon.The angle of the hole makes mounting the camera a bit tricky, so we prefer to use a ball-mounted tripod head to compensate for any strange angles. In order to use our regular tripod for shoots, I bought this add-on aluminum extension that screws into the rig. So we shoot at 960p to utilize the entire GoPro sensor.
#Gopro video player 720p
When you shoot 16:9 at 720p or 1080p resolutions, you’re not utilizing the full size of the sensor, which results in cropping off some of the shot. The sensor on a GoPro has a 4:3 aspect ratio.
Want to talk resolution? I thought you might. One bad camera will ruin your entire stitch. This tiny trick is a game changer.Įxpert tip: Before shooting, eyeball the front LCD panel on the cameras to make sure the settings all match. Before you get too excited about this efficient solution, I should mention that this remote triggering resulted in slightly out of sync cameras (5–10 frames on average).Īs soon as the cameras start to record, we always give a solid clap as a sync point. Instead of clicking record on each camera, we use a GoPro WiFi remote. This provides us with more flexibility in post-production to get to a true sync point between the cameras. That’s why we record at the highest frame rate we can on the GoPro 3+ Silvers - 60 frames per second. When those puppies are even a few frames off, all hell breaks loose. Successful spherical stitching begins with synced up cameras.
The 360 player is a beta feature, and is best viewed in Chrome. Here’s the video we made to launch it internally! “After a few goes at stitching footage from 14 cameras, we shifted to a simpler, non-3D setup that required half of the cameras.”ĭuring a recent Hackathon, we created a beta version of a 360 Wistia video player.
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